ENG 141-10: Literature & Film
Kutztown University - Fall 2015
Course Objectives
Upon completion of this course the student will be able to:
· Identify the characteristics of structure and form in both written works and films.
· Identify and explain major works in adaptation theory.
· Describe shifts in theoretical thinking in the history of adaptation theory.
· Outline and explain fundamental principles at work in literature and film and in the interplay between the two.
· Conduct analysis of an adaptation, identifying social and cultural points that inform the process of adaptation.
· Demonstrate knowledge of the roles of the novelist and the film director in their respective art forms.
· Critically evaluate analytical and artistic works looking for sound arguments; structuring an sound argument in response.
· Emulate the adaptation process through the creation of short films/screenplays.
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Required Materials

Course Components

Policies
Texts:
Octupussy and the Living Daylights
Ian Fleming
Thomas & Mercer, 2012
***We are reading Fleming’s short story “The Living Daylights.”
The Butcher Boy
Patrick McCabe
Delta, 1994
Blow-Up: And Other Stories
Julio Cortazar
Pantheon, 1985
***We are reading Cortazar’s short story “Blow-Up.”
The War of the Worlds
H.G. Wells
Tribeca, 2013
V for Vendetta
Alan Moore & David Lloyd
Vertigo, 2008
These texts are all available in the KU Bookstore, however, you may use any edition as long as it has the full version of the novel or short story. E-texts are also fine, but be aware you will need to match page numbers in order to follow along with the syllabus and reading discussions. Additional readings will be supplied by the via course website.
Electronic requirements:
Internet Access
Twitter Account
Kutztown email address
This course does not include a schedule screening for full-length films. Instead, you will be expected to view films on your own time as part of homework for the course. These films are not optional. All of the films are available on Amazon OnDemand or by DVD purchase (on your own) or interlibrary loan. It is up to you to use whatever service you choose, however, you MUST watch the required films.
Films:
The Living Daylights, Dir. John Glen, 1987
The Butcher Boy, Dir. Neil Jordan, 1997
Blow-Up, Dir. Michelangelo Antonioni, 196
Memento, Dir. Christopher Nolan, 2000
V for Vendetta, Dir. James McTeigue, 2005
War of the Worlds, Dir. Steven Spielberg, 2005
War of the Worlds, Dir. Byron Haskin, 1953
Quizzes
You will take weekly quizzes on the reading and film screenings. These quizzes are designed to assess your progress in learning the material, not as a trap. Quizzes will be held every Monday and will be held at the beginning of class, so do not be late. Missed quizzes will be handled on a case by case basis after discussion with me. Your quiz grades are part of your overall participation grade.
Film Analysis
Each of you will write a short paper of 3-5 pages on the literary adaptation of your choice (aside from those on the syllabus). Essays should analyze the choices made within the adaptation process, deriving the source and meaning of those choices as well as the formal and cultural impact of those choices. These are NOT film reviews. Arguments must be grounded in adaptation theory and supported with specific examples from the book and the film.
Film analysis Assignment Sheet
Teach a Scene
Throughout the semester, each of you will be responsible for kick-starting the day’s discussion by “Teaching a Scene.” These are mini presentations in which a student will choose a scene from the adapted novel/film and present their analysis to the class. The presentation catalysts should last no more than 10 minutes and should cover salient features of the adaptation in order to provide a starting point for our class discussion. The presentation should include 2-3 important adaptation choices and an analysis of those choices using any relevant adaptation/film theory to support their argument. Students may choose their own teaching style/method so long as the content meets the assignment’s requirements. Students will be assigned dates during the first two weeks of the semester. Prior to the presentation, students will submit proposals with three options and background material.
Tweet your notes
We will approach our reading/screening notes a bit differently in this class and crowd-sourcing our commentary during the note taking process. This will allow us to quickly identify common threads that are occurring in our readings/screenings. It will also help to keep you on track with reading and screening responsibilities. This is how it works:
While reading the text and screening the film, students will live tweet their notes. We will use several course hashtags to organize the tweets which will then be used to develop our course discussions. The notes themselves will not be graded, however, students will be required to have at least 5-10 tweets/text assignment and 5-10/film, spread out over the length of both the book and the film (ex: you can’t tweet 10 things about the opening chapter and nothing else). Tweets should be substantive in content and not review material (for example – “this is hilarious” will not count towards your quota, however something observational like “the setting is remarkably darker in the film than in the book” will count.
You may still read and watch on your own time, however, all notes should be tweeted by the scheduled class in which that reading/watching is due. You may certainly maintain a regular notebook if you’d like, but your grade will come from the tweeted material.
Your tweets will be assessed on the level of engagement and the quality of the intertextuality of class material and reading assignments with the novels and films.
You must have a twitter account for this assignment, however, you may create a twitter account that is solely for class use (I don’t expect you to use your personal account if you don’t want to). You may keep this account private so long as your settings allow the class to see your work.
Midterm & Final Project
At the end of the semester, you will produce your own adaptation of a short story. Early in the semester, you will pull a short story out of a hat. At least three students will have the same story. For the midterm, you will each individually write a treatment for a film adaptation of that story. In the treatment, you will explain your idea as well as write a more theory-related piece explaining your choices. After the midterms have been graded, you will meet with the other class members who share your story assignment. Amongst yourselves, you will vote on the treatment that you like the most and create the actual adaptation (you may also choose the best bits of multiple treatments). The final projects will be showcased during our final exam period on December 9 at 11 a.m.
Weather
Winters are unpredictable and the occasional storm may interfere with our regular course schedule. There are multiple outlets in which to check for schedule changes due to weather. The list of television and radio stations as well as online outlets can be found here.
In the event of a delay, modified schedule, or campus closing, please check the course website for announcements regarding deadlines, assignments, makeup work, etc.
Any other unscheduled cancellations will be posted on this website and will also be sent by email and text.
Attendance
Attendance in this class is not optional. You are expected to attend every class prepared and ready to work. Missing class is not only a detriment to your own development as a student and writer, but it also hinders the learning experience of your classmates. If you are not in class, you cannot participate. Missing THREE or more classes will result in a full letter deduction of your final grade. Keep in mind that this is in addition to the deduction you are already receiving in your participation grade. These are not three “freebies” either.
Again, I recognize that emergencies do arise. Please make arrangements to find out what you missed in the event that you are unable to get to class. Not contacting me regarding your absence will automatically count towards an unexcused absence.
Student athletes are not fully exempt from these policies. You should carefully evaluate your course schedule against your athletic schedule to minimize conflicts. Excused absences for athletes or any other student activity will only be given for university sanctioned events.
Academic Integrity
I take academic integrity very seriously and will not tolerate blatant disregard for the University or course policies. You can and should read the Kutztown University policy on Academic Honesty here.
Students with Disabilities
Students with disabilities who may need accommodations for this class should contact the Disability Services Office in 215 Stratton as soon as possible. Additionally, please meet with me privately to discuss the matter.
Academic Support
Kutztown University offers a variety of writing support resources to students in the University Writing Center located at 132 Old Main. Please utilize the writing tutors there for your film analysis papers. They are able to assist with all aspects of paper writing from topic selection to final proofing. Visit their site for hours and further information on the services offered.
Late Work
Late work will not be accepted. Learning to organize your time and responsibilities is part of this class and of your entire college experience. Plan ahead. That said, I do understand that EMERGENCIES do arise. If there is a real and true emergency, please contact me immediately. Let me be clear though—getting sick the day before a paper is due is NOT an emergency. Do NOT put things off to the last minute.
Grading Criteria
Class Participation...........................................15%
Film Analysis.....................................................15%
Midterm Treatment..........................................20%
Teach a Scene....................................................15%
Tweet your Notes..............................................15%
Final Project.......................................................20%